Kol Nidrei

Kol Nidrei
Acrylic on canvas 100 x 81 cm. 2013
En mi pintura he pasado de ocuparme del cuerpo humano, a ocuparme de la emoción humana a través del color, la luz y la textura. No buscando simples figuras en el espacio, sino composiciones dentro de la abstracción… Una evolución natural de la interpretación del sujeto al espacio que lo contiene.
El sentimiento o la emoción controlan mi pintura, dejando que el observador solitario se relacione con cada una de las obras, buscando concederle un alma. Esa alma es la narración que me intriga, maravilla y absorbe. El mensaje quedará determinado dependiendo del estado anímico del observador, sus pensamientos y sus antecedentes.
Serie:"Abecedario del agua"
...y me topé con esta declaración de Santa Teresa: «Me paso mucho tiempo / mucho tiempo, contemplando cómo es el agua». Cuando leí estas palabras pensé que si toda contemplación es también una lectura, el agua debe ser como un libro abierto. Un abecedario corriente y movedizo donde los signos revelan la música de un silencio mayor. El silencio verbal al que aspira la poesía.

The Golden Hour II

The Golden Hour II
Acrylic on paper 80 x 109 cm. 2013

The Zeitgeist

The Zeitgeist
Acrylic on canvas, 81 x 100 cm, 2013

5-11(4)

5-11(4)
Acrylic on paper / 70 x 50 cm / 2011

Untitled 12-11

Untitled 12-11
Acrylic on paper, 50 x 70cm, 2011

River 9

River 9
Acrylic on canvas,100 x 81 cm,2011

4 - 11 / River 4

4 - 11 / River 4
Acrylic on paper, 70 x 50 cm. 2011

Rainer Maria Rilke / Austria (1875-1926)

Moving Forward



The deep parts of my life pour onward, as if the river shores were opening out. It seems that things are more like me now, that I can see farther into paintings. I feel closer to what language can't reach.With my sense, as with birds, I climb into the windy heaven, out of the oak, and in the ponds broken off from the sky my feeling sinks, as if standing on fishes.
Rainer Maria Rilke / Austria (1875-1926)


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evolución



y nuevamente resuena mi vida profunda, más fuerte como si corriera entre márgenes más amplias.cada vez más cercanas me resultan las cosas y todas las imágenes cada vez más miradas. lo que no tiene nombre, lo siento más propio:con mis sentidos, como con pájaros, me extiendo al cielo ventoso desde el roble,y en los pedazos de día de los estanques se hunde, como parado sobre peces, mi sentimiento.
R.M.Rilke






N

N
Acrylic on canvas, 81 x 100cm.,2011

Absorcion 2

Absorcion 2
Acrylic on paper,76,5 x 57,5cm

search dreams 3

search dreams 3
Acrylic on canvas, 81 x 100cm,2009‎

Untitled A

Untitled A
Acrylic on canvas, 81 x 100cm, 2010

domingo, 5 de diciembre de 2010

Icosahedron Gallery , New York

"Contemplation"
Acrylic on canvas
90 x 116 cm
2008

Delving deeper into the symbiosis of the figurative and abstract art worlds ...

Exhibiting an abstract expressionistic quality as well, lies the works of Nicolás Nishiky, a Peruvian artist based out of Spain. Nishiky’s figurative works are bold and provocative pieces that use gestured brushwork and exaggerated proportions to shed light on the plight of man in today’s time and society.(...)

Robert Berry

Director | Senior Curator

Icosahedron Gallery , New York

http://www.icosahedrongallery.org

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Nicolas Nishiky

"Search Dreams"

In the beautiful tradition of early twentieth century Expressionism, Nicolas Nishiky’s figurative work, with the group name of ‘Search Dreams’, are images of men full of presence, volume and stature.

Proportions are tested, colors are bold and contrasting, positive/negative relationships are pushed and pulled leaving the remaining portrait to combat and embrace shadow and void. The relative simplicity of composition is balanced and compensated by the turbulent treatment of paint and subject. These men are not simply figures in space, but men of mass and substance…they have life and will which is explored and described by the intense physicality of the act of painting. The viewer is left to ponder who these beings are…friends, strangers, lovers…or a combination of all three? Or Nishiky himself.

The paintings force the viewer to consider the balance between image and media. Are we looking at the subjects through the paint, or is the paint creating the subjects? This relationship between the subject and the material is the crux of all great painting, from Rembrandt to Kirchner to Rothenberg. Nishiky does not back down from the question. He embraces his painterliness as he embraces his subjects. These are men, these are paintings…and they work as one.

Paul Lorenz

Academy of Art University San Francisco, California

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Nicolas Nishiky

The work of Nicolas Nishiky is intriguing to say the least. Dealing with the human body, Mr. Nishiky addresses human emotion through color and gestured brushwork, clearly being influenced by the modern masters with color choice and exaggerated proportions.

Majority of his figures are drawn in black using a variety of linear weights emphasizing certain areas of the figure. This allows the figure to occupy space as it comes forward and back creating atmosphere. That atmosphere is also established by the glowing colors of his surroundings or the negative space. Unfair to call this space negative simply because of the interests it creates in his paintings. This can either be a luminous glow or an orchestra of moving marks adding spontaneity in the painting.

The vigorous brush marks add to the feeling or emotion controlling the painting. Still unclear to the viewer what the figure is feeling but provocative to the individual letting the single viewer to relate to the particular painting. Definitely Mr. Nishiky is an impasto painter, painting wet into wet allowing the colors to mix on the canvas or paper executing a harmonious composition. Very informal with his approach again relating to the abstract expressionist, Nicolas still achieves form and content but giving us a soul such as William deKooning or even Modigliani did in the early 1900’s. That soul is the narrative we are intrigued with, wondering, absorbing and analyzing the message. Again what is the message? Different outcomes for the viewer depending on their mood, thoughts and background will determine that message.

Nicolas Nishiky is a bold confident painter living and dealing with today’s issues but leaving us paintings that are timeless. Timeless to viewers of any age, place, backgrounds, sex and beliefs providing us with either the solution or problem we face in today’s world.

Jason D. Zimmer

Professor of Art

Savannah College of Art and Design

Georgia- United States

Knots and roots /7
Acrylic on canvas
100x81 cm.


















Untitled 12-08
Acrylic on canvas
100x81 cm.

Icosahedron Gallery,NY

Presents: "Conventional Wisdom" December 3rd - 23rd, 2010